This week’s instalment of the Project of the Week series features a dynamic and collaborative design by 2024 SBID Awards Finalist, Woodalls Design.

WeTransfer HQ in Amsterdam is a collaboration hub of inspiration and togetherness, marrying functionality with technology while capturing the brand’s values of championing ideas and connecting the world with creativity. For a young, dynamic workforce, the new central location in the heart of Amsterdam was integral, with the neighbourhood instilling an atmosphere of vitality before even stepping foot into the office. Here, the remote-first team comes together, forges meaningful connections, and cultivates a sense of community and purpose. We curated a multi-functional space that catered to their workforce’s needs while championing their values of supporting artists and the creative world.

What was the client’s brief?

As part of the strategic relocation to central Amsterdam, WeTransfer appointed Woodalls to create a workplace that would act as a collaborative hub. The multi-functional space needed to meet the diverse requirements of different departments and clients to unite them with a primary goal of fostering a cohesive culture. It would become a space that would reflect and enhance WeTransfer’s brand, values, and commitment to supporting the creative community through its WePresent platform.

As a proud B Corp, the new workplace also needed to align to WeTransfer’s sustainability standards and its commitment to balancing people, planet, and profit; sustainable design practices were deployed with the space designed to achieve the ‘in use’ BREEAM certification.

Overall, the new environment aims to engage employees and clients, promoting culture, collaboration and social interaction and while reflecting the brand’s sense of purpose beyond file transfer.

What inspired the design of the project?

WeTransfer HQ is a focal hub of inspiration and togetherness, marrying functionality, brand purpose and seamless technology; capturing WeTransfer’s values of championing ideas and connecting the world with creativity.

The design pays homage to its central location and aims to foster vitality and create a vibrant and communal environment for its dynamic workforce. Using vivid colors, vintage furniture, recycled pieces, ambient lighting, and personalised elements, the space exudes warmth and purpose.

One of the main objectives in the design was to emphasise the brand’s larger purpose, which extends beyond file transfer. WeTransfer’s mission includes supporting the creative community through its WePresent platform, with the company donating up to 30% of its advertising space to support artists and social causes. A notable design feature in the new workplace is the custom “gallery,” a flexible exhibition space highlighting the brand’s commitment to creativity.

The workplace also incorporates innovative design elements that align with its identity as a tech company with a creative core. A central display screen at the entrance showcases brand advertisements and art installations, providing an engaging and dynamic welcome for visitors. The seamless integration of branding and art throughout the office creates an immersive experience for all, capturing the essence of the WeTransfer brand.

What was the toughest hurdle your team overcame during the project?

The layout, being composed of five Amsterdam townhouses with identical floor plans, presented a unique challenge for the team to navigate.

We took time to meticulously plan the floor layout and circulation of the space to ensure we could make the floorplate work for the diverse teams and their needs. We positioned a central, multi-functional café space, equipped with tiered seating, as a focal point for communal activities and events to emphasise the sense of community within the workspace and bring the spaces together.

The adaptable cafe space serves as a communal area for workshops, artist exhibitions, presentations, staff lunches, and socialising; reflecting the company’s culture. Brand graphics are incorporated into the design through glass manifestations, flooring, signage, and way-finding elements.

In addition to this, we conducted multiple engagement sessions to identify nuances and preferences of each team to offer flexible and multi-functional spaces across the floorplate to accommodate various working styles, from collaborative huddle spaces for creative teams to quiet areas for tech-focused employees.

We complimented the flow of the space and created cohesion across the floor plate by incorporating WeTransfer’s brand graphics throughout the design elements and seamlessly integrating technology. Despite this obstacle, we successfully worked around a challenging floorplate to foster a vibrant, cohesive and collaborative environment that meets the diverse functional needs of WeTransfer’s team and reflects its values and culture.

What was your team’s highlight of the project?

A highlight of the project was being able to reinforce the brand’s sense of creative purpose, which is to support emerging artists through its WePresent platform. Realising this vision through the bespoke “gallery” space enabled us to reflect WeTransfer’s continued commitment to this cause in a physical way. Adaptable gallery walls allow the brand to interchange artwork seamlessly and bring the space to life.

Additionally, our commitment to sustainable design has resulted in a workspace that not only echoes WeTransfer’s values but also aligns with the company’s sustainability standards. Being a proud B Corp company, WeTransfer takes responsibility for balancing people, the planet, and profit. Woodalls ensured that the office aligned with their sustainability standards to achieve the “In-Use” BREEAM certification, which assesses the environmental performance of the building.

Our team implemented design practices to ensure BREEAM compliance including reusing 60% of the furniture to promote circularity and minimising waste and using locally sourced materials and fixtures like bespoke acoustic panels and light fixtures sourced from local Amsterdam manufacturers such as DeVorm and Refelt, as well as locally sourced vibrant tiles. These all help to minimise emissions as well as contribute to the local economy, fostering an atmosphere of responsibility and balance.

Why did you enter the SBID Awards?

We chose to enter the SBID Awards to highlight the exceptional work we had done for the WeTransfer office project. Our goal was to acknowledge our team’s dedication and to present this outstanding project to our industry peers. The SBID Awards are highly esteemed and recognised in the industry, making it a prestigious platform for showcasing and celebrating our achievements. We are incredibly proud to have been appointed to create such a dynamic, cutting-edge and functional workspace for a leading-edge and well-rounded company like WeTransfer. We wanted to celebrate our talented team and project success with our colleagues, clients and peers and use the SBID awards as an opportunity to network with the wider industry. This project is one to be truly celebrated and SBID provides a leading platform to do this.

What has being an Award Finalist meant to you and your business?

As a finalist in the SBID International Design Awards, it has been an incredibly meaningful and rewarding achievement for us at Woodalls Design. This recognition serves as a validation of our dedication to exceptional design and innovation in the industry. Being a finalist not only cements our reputation in the design community but also highlights our commitment to design and delivery excellence, producing outstanding and creative projects for our partners globally, such as the Kantar and WeTransfer projects, both of which were nominated for the SBID International Design Awards.

This acknowledgment reaffirms our position as global leaders in workplace design. We are proud of the hard work and ingenuity that went into the projects that earned us this recognition and are truly honoured to be recognised among our peers.

Questions answered by Irene Acevedo, Associate Designer at Woodalls Design.

This week’s instalment of the Project of the Week series features a sophisticated and functional office design by 2024 SBID Awards Finalist, Antrepo by Ozge Caglayan Studio.

Located in the heart of central London, the JS office project artfully blends contemporary design with the city’s rich historical character. At the core of the approach is the careful selection of high-quality wood, a material that embodies both tradition and innovation. This choice is not merely a nod to the past; it serves as the foundation for the entire space, linking the city’s heritage with a modern aesthetic. Through this focus on wood, the design team has created an office environment that not only reflects the client’s vision but also pays tribute to London’s enduring spirit.

What was the client’s brief?

The client’s vision for their London office was to move away from the typical corporate setting and create a workspace that felt both personal and refined. They wanted an environment that reflected their company ethos while seamlessly blending sophistication, comfort, and functionality. A key request was the integration of high-quality, original materials such as wood, aged brass, marble, and leather to establish a sense of timeless elegance. Additionally, the design needed to prioritise usability, ergonomics, and efficiency while maintaining a unique and welcoming atmosphere.

Our design approach carefully balanced these aspirations by incorporating bespoke elements tailored to the client’s preferences. Through meticulous material selection and an emphasis on craftsmanship, we created a space that not only met but exceeded the client’s expectations, resulting in a workplace that fosters productivity, collaboration, and creativity.

What inspired the design of the project?

The design was primarily inspired by London’s architectural heritage and the desire to create a workspace that embodies both tradition and modernity. Our vision was to craft an office that reflects the city’s rich history while seamlessly integrating contemporary aesthetics and functionality. The fusion of timber, aged brass, and leather played a crucial role in establishing a cohesive and sophisticated atmosphere, ensuring a warm and inviting ambiance throughout the space.

A significant design inspiration was the idea of continuity—creating seamless transitions between different areas of the office to maintain a harmonious flow. We achieved this through the thoughtful integration of wooden panels that extended across walls and ceilings, connecting spaces in a visually and structurally cohesive way. Additionally, bespoke handcrafted elements, such as intricately carved brass details and a custom wood-topped coffee table, paid homage to traditional craftsmanship while reinforcing the uniqueness of the design.

Functionality was another key driver of the project. The use of curved corners encouraged movement and interaction between different functions, while the incorporation of a central wood cabinet served as both a visual anchor and a practical storage solution, optimising space without compromising aesthetics. The result was a space that not only met the client’s practical needs but also provided a sanctuary of productivity and inspiration.

What was the toughest hurdle your team overcame during the project?

One of the most challenging aspects of the project was ensuring the seamless alignment and continuity of the wooden panels that connected different areas, including the meeting room, lobby, and CEO office. Maintaining precise visual consistency across these elements required exceptional attention to detail and coordination between design and construction teams. The challenge was further amplified by the integration of storage solutions within the central wood cabinet, which needed to serve multiple functions without disrupting the overall aesthetic.

Additionally, working within the constraints of space meant that every design decision had to be both efficient and purposeful. We tackled this by integrating storage solutions into a single multifunctional furniture piece—the central wood cabinet—allowing us to maximize usability without sacrificing visual harmony.

Another significant hurdle was balancing sustainability goals with the high-end material selections required for the project. We addressed this by prioritising environmentally friendly materials and implementing energy-efficient strategies. For instance, we carefully selected wood for its sustainable properties and long-term environmental benefits, ensuring that the project aligned with responsible design principles. The use of Smart Building Technologies and energy-efficient lighting further reinforced our commitment to minimising environmental impact.

What was your team’s highlight of the project?

One of the proudest achievements of the project was the successful execution of the intricate brass detailing, particularly the custom-carved brass logos that greeted visitors in the reception area. These bespoke elements not only added a distinctive touch but also reinforced the company’s identity, enhancing the overall brand experience. The integration of brass details throughout the office demonstrated our team’s dedication to precision and craftsmanship.

Another highlight was the multifunctional central wood cabinet, which played a pivotal role in shaping the layout and functionality of the office. By seamlessly integrating storage solutions and spatial divisions within a single design element, we created a visually striking and highly practical feature that set this project apart. The elegant transition of wooden panels across walls and ceilings further emphasized the sense of continuity and cohesion that defined the space.

Beyond the design itself, one of the most rewarding moments for our team was receiving positive feedback from the client. Their recognition of our ability to transform their vision into a reality reinforced the success of the project and highlighted the impact of thoughtful, detail-oriented design. Seeing the office become a space that truly resonated with its users was a testament to our team’s dedication and creativity.

Why did you enter the SBID Awards?

I entered the SBID Awards to showcase my work on a prestigious international platform that celebrates excellence in design. The competition provides an opportunity to gain industry recognition, connect with leading professionals, and receive valuable feedback. Winning or being shortlisted would be an incredible honour, helping to elevate my brand and inspire future projects.

What has being an Award Finalist meant to you and your business?

Being an SBID Award Finalist with not just one, but two projects has been an incredible honor and a defining moment for my business. Having my work recognised on an international stage, one project in the UK category and the other in the Europe category in Zurich, has reinforced my commitment to excellence in design. This recognition has elevated my credibility, expanded my network, and opened doors to exciting new opportunities. It has also been a great source of motivation, inspiring me to continue pushing creative boundaries and delivering outstanding projects.

Questions answered by Ozge Caglayan, Founder of Antrepo by Ozge Caglayan Studio.

Which elements of your profession do you enjoy the most?

The versatility of the projects I get introduced to. Every project, every space and its parameters, every client, every place is so uniquely different that make my job so intriguingly expressive. The fact that I take on projects internationally, as well as the fact that I collaborate with international clients all over Greece, provides an exquisite variety of options to learn new things and apply my expertise on an ever-evolving landscape. I have the chance to interact with inspiring people, get accustomed to their life, their habits and their cultures and consequently I must stay constantly initiative taking to explore all aspects of a project and be creative.

What has been your most memorable career highlight from the past year?

Actually, there are two memorable career highlights from the past year. One of the most recent projects I designed and built, the Garage Transformation into a Micro-Residence, received a Gold Award at the Greek Interiors 2024. And a few months later, the same project received a Big See Architecture Award 2025, the South-East Europe Awards. I feel extremely honoured for both awards. I am very proud of the work produced by my building collaborators on this project and on every project. I constantly push them (and myself) to stay motivated and step a little bit further each time, to produce an impeccable result with the highest attention to details. And of course, I am very thankful to my client, who has been a recurring client and consequently, a good friend, for introducing to me this idea at first, that evolved in such a wonderfully creatively rewarding experience.

What are your favourite types of projects to work on and why?

I absolutely enjoy all projects I work on, as all of them are different and this is a remarkably high motive to research, explore, design, create and build so many different environments for so many unique people. However, I do enjoy most the projects that I coordinate with all aspects from the very beginning to the very end. That is, produce an overall bespoke design on a particular brief and build the creative outcome ready to be used by the owners. The whole creative process brings in so many experiences and highlights in its own way, new paths to my professional and personal journey.

What are the most challenging aspects of working in interior design?

The set of challenges of working in interior design can assess both technical and people skills. You must balance creativity and functionality, as you come to create spaces that are visually appealing while remaining functional and liveable. This balance often requires innovative solutions to merge artistic vision with everyday usability.

Furthermore, managing client expectations is very important and a whole new challenge, as clients may have an initial vague vision, but it is up to the designer to comprehend this vision and translate it into a coherent design plan that involves active listening, clear communication, and sometimes negotiation.

In this equation one must add the budget constraints, as well as the time management and the project coordination aspects that are especially important so that the original creative solution is applied seamlessly. And of course, you must be educated on current technical elements that enhance and most of the times, complex the design, yet provide a whole new level of facilitation to the users of your designed space.

What do you wish you knew before working in the field?

I wish I knew how to run a business. In no way do you know everything right after your studies. Yet, you have a good foundation on which you continuously work on, shaping and structuring your creative aspects, while working with so many kinds of people. However, at the same time, you are running a business and this is a world you just dive into. And, among other things, you are expected to find ways to balance your creativity within a rigid, impersonal and unknown environment.

If you could give one tip to aspiring designers, what would it be?

To embrace a mindset of continuous learning. The design world is ever-evolving, so never stop exploring contemporary trends, techniques, and technologies. Staying curious not only helps you develop your unique style but also keeps you adaptable in a dynamic industry. In this way, I believe that a designer sets the foundations to produce uniquely created environments that correspond effectively to the needs and requirements of their clients or the end user of these environments.

How do you see the interior design industry evolving in the year ahead?

The interior design industry is evolving rapidly, influenced by sustainability, technology, and changing lifestyle needs. In the year ahead, I believe we will see even more sustainable and eco-friendly design, emphasising further on biophilic design and using natural materials. Also, in terms of technology, planning and visualisation will be easier thanks to AI powered interior design tools in conjunction with smart-designed furniture, AR and VR.

The transitional style is getting more popular, mixing old and modern style to create a distinctive touch and bled vintage aesthetics with modern design elements. Layered textures, bold patterns and unique art pieces are on the frontline, while moving away from neutral tones, rich, moody hues like deep blues, terracotta and forest greens are here to stay.

In addition to the above, I believe there will be greater appreciation for handcrafted and locally made furniture and décor, as well as a rise in cultural and traditional influences, incorporating global design elements into modern homes, thus, supporting small designers and craftsmen.

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This week’s instalment of the Project of the Week series features a contemporary and sustainable office design by 2023 SBID Awards Finalist, MAWD.

March and White Design (MAWD) were commissioned to help refurbish No.1 Knightsbridge, an office building that brings together six floors of multi-tenanted space with sustainable functionality at its core.

What was the client’s brief? 

The client’s brief for the No.1 Knightsbridge emphasised the importance of an exceptional arrival experience, encouraging social interaction, and providing functional spaces for both formal and informal gatherings. Furthermore, sustainability and well-being were key considerations, with a focus on achieving WELL certification through conscious design and material selection.

What inspired the design of the project?

The design of No.1 Knightsbridge was inspired through MAWD’s knowledge and research into the surrounding area and the audience we envisioned as tenants and guests for project. The central inspiration was the prestigious Knightsbridge location itself, where the convergence of Knightsbridge, Mayfair, and Belgravia creates an unparalleled address. The opulence of this locale, characterised by London’s finest hotels, members’ clubs, and upscale retail, set the tone for the project’s luxurious aesthetic. The design was also influenced by the evolving trends in workspace design, particularly the merging of living and working spaces. The concept of experiential spaces that foster social interaction and flexibility was inspired by the dynamic nature of modern work.

What was the toughest hurdle your team overcame during the project?

When designing No.1 Knightsbridge, the biggest hurdle was to create a workspace where luxury and forward-thinking design converge. This was achieved through blending our experience of interiors at the highest level with the research and thought we have been undertaking as a company to incorporate conscious design principles into all of our projects.

What was your team’s highlight of the project?

A standout highlight for our team throughout the project was the creation of the vibrant atrium space with an F&B element. This central hub epitomised our design philosophy, seamlessly blending luxury, innovation, and functionality. The suspended greenery installation and the integration of green elements not only added a touch of biophilia but also contributed to the project’s commitment to well-being. Witnessing this space come to life and become a focal point for social interaction and community-building was a gratifying achievement for our team, reflecting our dedication to creating transformative and harmonious environments.

Why did you enter the SBID Awards?

Our submission of the No.1 Knightsbridge project for the SBID Awards is driven by its exceptional qualities that epitomise our design philosophy. No.1 Knightsbridge occupies a prestigious London address, it blends the sophistication of the area with the warmth of hospitality, ensuring privacy, focus and impeccable quality. No.1 Knightsbridge is a testament to our commitment to conscious design. It weaves form and function harmoniously, creating an impressive, transformative space that lingers in memory. This project’s essence captures the heart of our expertise and vision. For us as designers the SBID Awards symbolises the sharing of designer’s abilities to set new standards and make a lasting impact on the industry. It’s an invitation to join an elite community of design visionaries, amplifying our voice and influence on a global platform.

What has being an Award Finalist meant to you and your business?

Being an SBID Award Finalist helps showcase our commitment to high quality design and innovation, leading to enhanced visibility and recognition within the design community. It’s a validation of our expertise and a testament to the quality of our work, paving the way for exciting new opportunities and collaborations.

Questions answered by James White, Co-Founder of MAWD.

From 22 to 25 October Pedrali attended Orgatec, Cologne’s leading international trade show in the world of office furniture focusing on the “new visions of work”. In its 8th participation, the 100% Italian company, leader in the manufacturing of contemporary design furniture for contract and residential presented new collections that affirm and highlight the Brand’s role in the workspace.

Today, the concept of workspace is synonymous with agile, dynamic and functional space, reflecting the new lifestyles and today’s work needs. Flexibility is a priority that nowadays affects the physical arrangement of spaces, with new layouts and experiences, and the work mode alike. Offices are now lively places where peoples interact with the aim to be more efficient and focused on their goals, yet strengthening corporate culture. The modern workspace is no longer just a work area, but a cultural hub that fosters company culture and encourages collaboration, creativity, and learning.

The space is designed to host and foster various specialisations and interconnection. Furthermore, ergonomics play a key role: furniture must be adjustable and provided with state of the art mechanisms so as to adapt to the user, ensuring comfort and person’s control over workspace, improving emotional well-being while enhancing creativity and teamwork.

Through #PedraliColoursofLightness stand, designed by the Milan-based DWA Design Studio, Pedrali proposes its vision of work. Furniture must be modular, functional and sustainable, to create work environments that can be easily tailored to the needs of the moment. Lounge areas and collaboration spaces replace traditional meeting rooms, creating a fertile ground for immediate sharing of ideas and skills. In this case, the materials ensure sound absorption and furniture creates private areas that improve acoustic. This flexible setup can be transformed into a formal or informal workstation, responding to different needs.

Furthermore, there is great attention to collaborative spaces, including breakout areas or corporate restaurants, which are becoming increasingly attractive and cosy. These bright, soundproofed areas are configured according to the actual needs of use. Outdoor spaces too become office extensions: places where people love to stay, work or relax. In such settings, the furniture needs to be comfortable and weather resistant. Lastly, the evolution of the office also affects living spaces, where furniture need to integrate discreetly and be easily configured.

In an ever-changing scenario, Pedrali’s stand created six scenes reflecting the diversification of contemporary workspaces, through an environment defined by transparencies and characterised by a skilful use of colour and lightweight material.

The entire space is conceived as an architectural volume covering over 700 sqm, crafted with a textile gauze that allows visitors to glimpse and perceive the interior of the stand. To enhance the idea of lightness, a fabric veil creates an almost transparent ceiling with a cerulean hue that, through a delicate interplay of layers, imparts an architectural rhythm to the area. The celestial blue colour of the architecture serves as a background, while more intense and bold notes of colours characterise the products, highlighting them within the scene.

All elements used within the stand were designed to be disassembled and reused, thereby maximising the durability and sustainability. In the path of a continuous regeneration, the elements of the stand unveiled at Salone del Mobile 2024 were reused for the Orgatec stand. In its realisation, attention was paid to the selected materials, the optimisation of raw material consumption, resource rationalisation, material reuse/recycling, and disassemblability from the design phase of the stand.

Lastly, the blending of the workspaces with nature fosters the physical and mental well being of people, improving mood and productivity. This is specifically why the green project also blends seamlessly with the architecture.

The first room recreates an office featuring multiple workstations, with the new Arki-Table Desk as the centerpiece. Two-, four- or six-seater workstations that stand out for their linearity and archetypical trestle legs available in steel or solid oak wood. Thanks to their remarkable versatility, this system of desks is suitable for multiple purposes whether in traditional offices or modern coworking spaces. The tabletop is equipped with a cable management. The sound-absorbing screens upholstered in fabric are available as optional accessories to improve productivity and wellbeing in open-plan offices. The optional accessories, such as monitor mount and magazine holder in different colours, ensure customised and well-organized spaces.

Designed by Jorge Pensi Design Studio, Temps task chair are placed around Arki-Table Desk. Featured by a height-adjustable base made in die-cast aluminium, this chair guarantees excellent ergonomics and comfort thanks to its weight-activated, synchro-tilt mechanism that is able to regulate the degree of tilting autonomously according to the user’s body weight. Its anatomical shape encourages good posture. The seat and backrest are comfortable and snug with its polyurethane injected foam padding, cosily embracing the person sitting in the chair. An injection-moulded polypropylene shell fits around the seat and contains the mechanism, hugging the user’s lower back and ensuring ergonomy and comfort, while the padding inserted in the polypropylene shell designs a continuous line. Two minimal, simple arms made from polypropylene help accentuate the concepts of lightness and dynamism. Temps low back, is characterised by a lower backrest. It is designed to seamlessly fit both in office meeting rooms and residential settings.

Ypsilon Connect by Jorge Pensi Design Studio, and Blume System by Sebastian Herkner, complete the scene. The former is an elegant and functional free standing, sound absorbing partition panel. Featuring clean lines and easily placeable in a variety of settings, Ypsilon Connect is characterised by acoustic panels that are shaped around a structure formed by two die-cast aluminium bases and extruded aluminium columns. One of the greatest strengths of this piece of furniture lies in its extensive customisation possibilities, thanks to which users can create ever new layouts and consequently manage their spaces more effectively. Ypsilon Connect is an extremely versatile piece of furniture that changes appearance according to needs by simply adding accessories such as whiteboards, shelves or coat hangers on any of its sides. This multifunctional panel can be also wired to enable the installation of a TV screen holder.

Blume System is a collection of furnishings that echoes the sophisticated flower-shaped profile in extruded aluminium of the seating collection with the same name. Available in several sizes, the modules create a variety of configurations: from a two-level bedside table, to a three- or four-level shelving system. The structure on which the shelves rest is made of steel and is fastened together by means of aluminium castings, with no visible screws, so as to highlight the precious details of the legs, with adjustable feet, while being both stable, durable and free standing at the same time.

In the same scene, there is also space for a pleasant outdoor lounge area featuring Nolita sofa and Nolita Relax, both by CMP Design, paired with Caementum coffee tables by Marco Merendi & Diego Vencato and Twiny rug by DWA Design Studio.

Nolita Sofa is an outdoor sofa designed to enjoy moments of conviviality and relax in the open air, featuring simple, iconic shapes and a steel tube structure that ensures the greatest strength and durability. The cushions in polyester are protected by a waterproof lining and covered with outdoor fabrics. The versatility of Nolita Sofa lies in the possibility to combine different modules, linear or angular with right or left armrests, which can be connected through a solid laminate connecting top, available in different colours, rectangular or 30° angular. Nolita Relax is a generously sized armchair that maintains the lines and design of the collection, recalling the origins of a historic course started by Mario Pedrali in 1963 with his first metal garden chairs. Nolita Relax confirms its summertime appeal defined by simple and iconic shapes. The steel tube frame gives visual rhythm and gentle proportions, ensuring maximum strength and durability. A single line from the ground, defines both armrests and backrest.

The armchair incorporates the collection’s spirit of transparency and lightness, the comfort is given by soft cushions with waterproof lining and removable outdoor fabric cover. Decorative cushions available in various shapes: rectangular, square and round.

Twiny is a rugs collection including two different patterns, both in twill and defined by a discreet graphic sign, one striped and one diagonal. The rug background in neutral shades of sand is divided into two tone-on-tone sections, one lighter and one darker. The rugs are made from cord obtained by weaving a polypropylene yarn, which is strong yet soft and completely recyclable, ensuring a very high level of performance when placed outdoors, guaranteeing resistance to sunlight and weather, easy cleaning and maintenance. Caementum is a monoblock coffee table made of concrete with the addition of carefully selected additives to guarantee excellent technical performance.

The new Laja 2 by Alessandro Busana fits into the second environment, showcasing a conference room. Stylistic simplicity and organic shapes define Laja collection, which was redesigned with softer, cosier shapes. A chair and armchair featured by an injected polyurethane foam seat with elastic belts, and a flexible, welcoming backrest. The distinguishing feature of the collection are the four die-cast aluminium legs, obtained from a single mould. These can be polished or powder coated in different colours to match the upholstery. The legs of Laja 2 are also available in solid ash wood, steel rod or cantilever steel tube frame, or die-cast aluminium spoke base swivelling or with castors. The piping delimits the inner from the outer upholstery, which can be covered in two different textiles.

The armchairs with four legs in aluminium and ash wood can be equipped with a folding tablet suitable for training and conference rooms. The Laja 2 wooden legs are FSC® C114358 certified and finished with water-based coatings. Also present here is the aluminium Rizz Office table by Robin Rizzini, that provides both stability and lightness. A structural strength concealed by clean lines distinguishes this table, which integrates the legs with an aluminium supporting frame hidden beneath the tabletop to ensure aesthetic lightness and maximum stability. To support large tabletops, a central rectangular steel column with rounded edges is positioned in the center, which also serves as a cable management. The die-cast aluminium legs are characterised by a triangular section that faces outwards and tapers into a round shape, resting elegantly on the floor. The sinuous curve shaping the leg is directed towards the centre of the tabletop, for utmost seating capacity.

Hevea partition, by Victoria Azadinho Bocconi fits into the scene to separate the spaces. Hevea is a versatile furnishing element that brings nature into residential and contract settings. This pot holder consists of a central steel stem to which polypropylene pots are hanged, obtaining different configurations based on their number and position. Hevea Partition is a three-column pot-holder that creates green walls and layouts.

Here the Frank table designed by Robin Rizzini and Stiel armchairs by Sebastian Herkner recreate a meeting room. The Frank table is inspired by architectural shapes and industrial materials. The structure on which the top rests is made up of two slightly curved die-cast aluminium bases with variable thickness, the perception of which varies according to the point of view. Seen from the front they are slightly arched and resemble the shape of a sail, creating a light and ethereal optical effect. Seen from the side, the volume appears full. The bases taper towards the bottom, reaching the ground in a less accentuated curve and are connected by a sturdy steel beam, placed under the top. The rectangular top, with rounded corners, is equipped with a cable management.

Stiel is featured by soft and rounded shapes in polyurethane foam on a curved round steel tube frame. The family includes a side chair, an armchair and a lounge version, and a barstool in two different heights. Lamorisse lounge & sofa by CMP Design bring to life an elegant breakout area. A lounge armchair and a twoseater sofa characterized by the contrast between the sober shape of the solid ash wood frame and the soft, generous and enveloping cushion. The solid ash wood frame is characterised by a rounded section armrests in steam-curved ash wood jointed to the oval shaped legs. A thin metal frame supports the seat while elastic belts and non-deformable polyurethane foam guarantee a high level of comfort. Both seat and backrest cushions have removable covers and are linked together by a zip. Lamorisse Wood is made using FSC® C114358 certified wood and water based coatings composed mostly of plant-derived resins.

A waiting area is staged in the third set, featuring the new Plural Soft, the evolution of the Plural seating presented for the first time in 2014 and designed by Jorge Pensi Design Studio. The multiple seats, now available in the upholstered version, are even more comfortable and cosy while maintaining a minimalist design. The die-cast aluminium armrests, integrated with the injected polyurethane foam seats, end on both sides with functional tabletops. Designed for dynamic waiting areas, Plural Soft stands out for its functionality, strength, and durability, while adding a distinctive character to the environment. The versatility of its components enables multiple configurations with three, four, six and nine seats, defining spaces while conveying a visual rhythm. Ports for charging devices are integrated under the tabletop.

The collection designed by Busetti Garuti Redaelli, Buddyhub and Buddyhub Desk, create dynamic compositions within the fourth environment. Buddyhub – in which a wrap-around, sound absorbing panel envelops the seat in a sort of enclosed niche – is available as an armchair or sofa, and can be used as a quiet, sound-proofed workstation. It is also possible to place two units opposite each other and to join them by means of a panel to which a table can be attached, thus creating an informal meeting space or breakout area. A large seat, in polyurethane foam supported by elastic belts, and a cosy backrest offer exceptional comfort while working or when enjoying a private moment of relaxation away from the surrounding environment. Buddyhub desk also features a perimeter sound-absorbing panel that embraces a solid laminate top, creating a sort of enclosed niche that ensures acoustic and visual privacy.

This new piece of furniture can be used as a workstation and be fitted with a cable management unit. Alternatively, it can be used as a temporary workstation, measuring 82×59 cm and 90 cm in height, designed as an intimate space for informal work needs or for calls, in both a standing or sitting position. Both products are supported by the slender lightweight frame that raises them off the ground, lightens their overall appearance, promoting functionality that makes cleaning and maintenance operations easier.

Also featured within this setting are the barstools from the Stiel collection by Sebastian Herkner and Polar task chair by Jorge Pensi Design Studio, ensuring maximum customisation in terms of ergonomics with its simple and intuitive built-in mechanisms. The backrest consists of an injected-moulded nylon frame with a breathable, flexible polyester mesh for a sense of transparency. The injection-moulded polypropylene support at the lumbar area may be adjusted to the user’s needs. This element may be covered in the same fabric as the seat, for utmost customisation. The seat, in polyurethane foam moves via a special mechanism that allows its depth to be adjusted. The chair guarantees excellent comfort thanks to its weight-activated, synchro tilt mechanism that can regulate the degree of tilting autonomously according to the user’s body weight. Polar is available as a chair or armchair. The latter features minimalist armrests that can be adjusted in height, depth and width and can be orientated to suit the user’s needs. The swivel base made from die-cast aluminium stands out for its clean, elegant lines. The height of the seat goes from a minimum of 420 mm to a maximum of 560 mm. The performance of the mechanisms makes the Polar armchair conform to type A of the UNI EN 1335-1:2020 standard, ensuring ergonomics principals and wellbeing in the work environments.

Also by Jorge Pensi Design Studio, the new Diego functional side table is presented at Orgatec 2024. This element is conceived to create new layouts in workspaces or living environments, improving comfort and ergonomics while working or relaxing.

The die-cast base and the extruded stem are made of aluminium, a recycled and durable material that guarantees long-lasting performance. The steel tube column confers stability, while the knob enables a simple and intuitive adjustment. The base comes with four spokes, with the front two being asymmetrical to the rear ones, allowing the table to be positioned as close to the seating as possible. These details make it ideal for working while sitting on a sofa or relaxing in an armchair with a cup of coffee. The HPL tabletop, with its trapezoidal shape with rounded corners, can either come in the same colour of the base or in a different finish.

Diego is paired with Buddy Oasi by Busetti Garuti Redaelli, a system of generously sized ottomans and sofas that maintain the contrast between the bold volumes of the seat and the lightness of the aluminium legs typical of the Buddy collection. The distinguishing feature of Buddy Oasi is its movable backrest, featuring a soft, organic shape. Made of injected polyurethane foam, it can be easily and freely positioned on the seat to create multiple configurations. A ballast and non-slip fabric base provide stability to the backrest. Buddy Oasi is the new indoor version introduced at Orgatec 2024, designed to furnish collaborative spaces and breakout areas. Thanks to its generous dimensions and various configurations, it ensures comfort and flexibility. Buddy Oasi is also available in an outdoor version, featuring a completely waterproof lining and a removable outdoor fabric cover.

The new Rizz Workstation designed by Robin Rizzini is presented in the final setting. Rizz Workstation represents the evolution of the Rizz table, featuring a wider top. A structural strength concealed by clean lines distinguishes this table, which integrates the legs with an aluminium supporting frame hidden beneath the tabletop to ensure aesthetic lightness and maximum stability. To support large tabletops, a central rectangular steel column with rounded edges is positioned in the center, which also serves as a cable management. The die-cast aluminium legs are characterised by a triangular section that faces outwards and tapers into a round shape, resting elegantly on the floor. The sinuous curve shaping the leg is directed towards the centre of the tabletop, for utmost seating capacity. A cable management system integrated into the tabletop is designed to accommodate sound-absorbing screens, making Rizz Workstation the perfect solution for modern and efficient workspaces. The table can also be complemented with an optional LED lighting system, whose central bridge structure recalls classic library tables. The upper section may serve as plants or small objects holder.

Surrounding the Rizz Workstation is Elinor Low Back executive armchair designed by Claudio Bellini, a multitasking product characterized by a high level of aesthetic quality that reflects the needs of a changing market. Elinor Low Back has an elegant height-adjustable base in die-cast aluminium, with aesthetically pleasing sinuous lines. A weight activated synchro-tilt mechanism integrated in the upholstered seat allows the tilting to be self regulated according to the user’s body weight, ensuring that the back is kept in the most comfortable position. Other strong points of Elinor low back are its comfort and body-hugging feeling, thanks to the polyurethane injected foam on both seat and back. A light, slimline, strong armrest in die-cast aluminium defines the base of the backrest with its fluid line, accentuating the attention to detail that characterizes this unique chair.

Boxie storage system by Claudio Dondoli and Marco Pocci and Ypsilon Connect by Jorge Pensi Design Studio complete the space. Meanwhile, Blume System by Sebastian Herkner separates this environment from a lounge area featuring Jeff sofa designed by Patrick Norguet, Héra Lounge armchair by Patrick Jouin, Blume coffee tables, with Palazzo composite marble top, designed by Sebastian Herkner and Twiny rug by DWA Design Studio.

Jeff is a contemporary modular sofa system that offers elegance and refinement, addressing the needs of upholstered products in modern living spaces. Jeff is designed as a set of miniature architectures, skilfully combined to create multiple modular and reconfigurable scenarios, suitable also for furnishing lounge areas. Linear or corner elements (120°) combine with chaise longues and end pieces, all with or without armrests, allowing for the creation of different configurations, from the most classic corner solutions to the most modern island set-ups. Available in two shapes and sizes, the backrest cushions further contribute to the sofa’s overall comfort, providing effective lumbar support.

The enriching piping that outlines the profile endows the sofa with an almost tailored appearance. The lining is removable so that it can be cleaned and maintained with ease. A system of connecting hooks makes it possible to dismantle and reconfigure the sofa, customising it and adapting it according to the evolution of the space.

Héra Lounge echoes the silhouette of the armchair designed in 2019, embodying the concept of lightness fusing it with that of comfort and elegance. Made of ash wood, its backrest in curved solid wood is defined by an enveloping and sculptural band ends in rectangular legs with radial angles. The polyurethane foam seat supported by elastic belts maximises the sense of cosiness. The wooden elements of Héra lounge are FSC® C114358 certified and finished with water-based coatings composed mostly of plant-derived resins.

Finally, several collections recreate breakout areas and indoor and outdoor café areas, with one also serving as an arena. Included in the featured collections is Buddyhub Sideboard designed by Busetti Garuti Redaelli, the new storage system from the Buddy family, recalling the collection’s friendly and welcoming design. A versatile piece of furniture conceived for modern workspaces, providing storage capacity while serving as space divider, both visually and acoustically. Buddyhub Sideboard features a sound-absorbing panel that embraces a sideboard featuring an HPL top and three solid laminate doors. Thanks to its versatility, it adapts to various needs and environments, such as coffee corners or meeting rooms. The water-resistant top is equipped with a functional cable duct, allowing the accommodation of small appliances. The space is enriched by Philía chairs and armchairs and Babila Twist armchairs, both designed by Odo Fioravanti, Panarea lounge armchairs by CMP Design, Dome barstools by Odo Fioravanti and Héra Straw armchairs and Elliot tables, both designed by Patrick Jouin.

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This week’s instalment of the Project of the Week series features a colour coordinated office design by 2023 SBID Awards Finalist, Katja Kessler Kreation.

A former 17-storey high-rise signature office building which was abandoned for years and only populated by an army of pigeons is currently subjected to a complete makeover. The first task Katja Kessler Kreation is assigned with by the client: creating a unique interior design handwriting for various functionalities within the building (such as the entrance lobby, the spacious day bar, the boarding homes, the coworking settings and the panorama conference floor). Second task: These highly elaborated fancy floors should effortlessly blend into the building’s all-over-design (created by Katja Kessler creation, too) which is targeting a more classy design.

What was the client’s brief? 

A former 17-storey high-rise signature office building in the heart of Germany which was abandoned for years and only populated by an army of pigeons is currently subjected to a complete makeover. The client wants the interior to serve a vast variety of different functionalities and purposes including a day bar, boarding rooms, co-working settings, offices and conference floors. He asked us to give every single area an individual touch that would provide a high recognition value within the building while blending into the all-over design.

What inspired the design of the project?

We were primarily inspired by the monotonous grey and cold concrete shell of the building. Therefore to set a contrast, we decided to give each floor a distinctive feature by attributing individual vivid colour-codes.

The history of the building – a former Telecom headquarter from the seventies – had a big impact on our design philosophy of this project, too. An old phone booth was reinvented, its windows replaced by screens, and now serves as a guide post for visitors entering the building. The pages of an old telephone book were digitally obtained, replicated, and printed as a wallpaper and now cover the walls of the entrance area. All these are examples of how attention to small details can have a significant impact on the over-all appearance. Redefining old and meaningful components to incorporate them into the building has been a major key to the all-over interior concept of this project.

What was the toughest hurdle your team overcame during the project?

The sheer size of the project, the number of people involved, and the range of functionalities and purposes – all these aspects accumulated into one big challenge: Not to lose track of the core ideas and principles of this project – to create an inviting modern interior which doesn’t need a manual to be understood but provides an iPad moment, because it is self-explaining.

What was your team’s highlight of the project?

Amidst the messy construction site full of dirt, dust and junk piles we staged a fully equipped pop-up hotel room made up only of four drywalls and a door. Passing through this door was like glimpsing into the future: Sunlight was flooding through cosy velvet curtains, a bed with fluffed pillows dared you to take a spontaneous nap, and a toothbrush on the stylish looking vanity awaited your late-night routine. This was a moment of wow, accompanied by a breath-taking view over the city skyline.

Why did you enter the SBID Awards?

I’ve been following the SBID Awards for a long time and have repeatedly been inspired and impressed by the submitted projects. This year, I thought now or never and submitted my own application.

What has being an Award Finalist meant to you and your business?

So many people congratulated us for the nomination via social media. It feels like participating in a kind of interior Oscar. That alone has been a great compliment for me and the rest of my team.

Questions answered by Katja Kessler, Founder of Katja Kessler Kreation.

This week’s instalment of the Project of the Week series features a feminine and serene office design by 2023 SBID Awards Finalist, Shalini Misra.

On a thriving street in London’s Mayfair, Shalini Misra has designed the interiors to a feminine, modern office space with a curated mix of materials from marble and timber with metal accents to fluted glass. Artwork is hung in the entrance, main office and board room giving a high-end residential feel. The main office is separated from the other areas with a glass fluted wall to allow light to flow throughout the space, with motorised blinds installed for privacy. Plants are placed throughout to bring in the essential presence of nature and the terrace provides a private outdoor space.

What was the client’s brief? 

The client aspired for an office space that radiates a homely, feminine, modern, and serene ambiance, enriched by an abundance of green elements. With a harmonious combination of materials like timber, marble, glass, and elegant metal accents, the bespoke shelves incorporate captivating accessories, creating a striking backdrop for the client. Meticulously crafted custom furniture, rugs, and the addition of exquisite Hermes and silk wallpapers catered to individual needs, elevating each space with an extra layer of elegance and charm. Additionally, the use of burgundy and navy upholstery infuses a vibrant and colourful rhythm throughout all areas.

What inspired the design of the project?

Our design approach was guided by the client’s love for nature, greenery, and abundant natural light, along with her impressive art collection. The design layout seamlessly integrates a cleverly crafted glass-fluted wall that delineates the main office space, allowing for the uninterrupted flow of natural light while ensuring privacy through the inclusion of motorized blinds. Carefully positioned plants breathe a vital sense of nature into the setting, while the terrace offers a secluded outdoor sanctuary.

What was the toughest hurdle your team overcame during the project?

Although we faced challenges posed by joinery-related delays, achieving timely project completion was effectively overcome through swift on-the-spot solutions, ensuring the smooth progression of the project.

What was your team’s highlight of the project?

When we handed over the project to the client, she was thrilled. Over the years, every time we see her or hear from the team, they fondly recall the office’s inception and express ongoing enjoyment of their work environment.

Why did you enter the SBID Awards?

I entered the SBID Awards to showcase my recent interior projects, gain recognition within the industry, and connect with fellow professionals. The awards provide an excellent platform to highlight my studios creative abilities and contribute to the broader design community.

What has being an Award Finalist meant to you and your business?

Being a finalist in the awards has been an incredibly rewarding experience for me and my design studio. It signifies that our hard work, dedication, and innovative approach to interior design are being acknowledged and celebrated by our peers and the industry. This recognition not only boosts our team’s morale and motivation but also enhances our credibility and reputation. It inspires me to continue pushing the boundaries of creativity in our projects.

This week’s instalment of the Project of the Week series features a sustainable and neutral office design by 2023 SBID Awards Finalist, Anomaly.

Global family business, Metdist, required their new UK base to become their home-from-home, and it was up to Anomaly to make this their reality, creating a stylish space that brought together the multiple functions of the business all in one open plan space. The 5,806 sq ft space includes an art studio, private offices, and a breakout space, all within a neutral palette.

What was the client’s brief? 

The client, Metdist – a global family run business – was driven to create a space fit for their London office HQ in the established Regent’s Park surroundings. The design directive was underpinned by Metrist’s belief that they, their staff, and their clients should connect emotionally with the spaces they work in. The existing building was a unique modernist warehouse and to be retrofitted from its industrial past into a sustainably lead office, layered with colour, materiality, and a wonderfully ferocious eye for detail from the client.

What inspired the design of the project?

The client held the belief of fine craftsmanship to bond the old and contemporary architecture, a focus of bespoke joinery and working with the existing industrial structure was a key source of inspiration. The brief required an intertwining of functional spaces that were fit for use, but also adaptive to their growing team. The joy of working closely with a family-owned business was the exploration of each family member and what this space meant to them, and their full engagement across the process to push us as a practice. We developed and designed spaces that reflected their individual personalities but also their family as an identity which has been going for three generations.

What was the toughest hurdle your team overcame during the project?

Balancing the rigid geometry of the sawtooth structure against the client’s appetite to deliver more open and softer spaces. Curved walls don’t go into pitched roofs without a headache or two. In addition, the proximity of the site to the London Underground was a curious hurdle that logic would ordinarily dictate as unnecessary. The removal of a single, non-load bearing column took 9 months to be approved which was a thrilling experience.

What was your team’s highlight of the project?

The client’s enthusiasm for bold and daring ideas was definitely the highlight, it made the collaboration extra exciting and appealing, and reaffirms that a great scheme isn’t born from indifference, but through being challenged, through debate, testing the ludicrous and playing with the salacious to get create something worthwhile, not meanwhile. Working with a non-profit charitable institution added another a-typical dimension to the scheme, providing philanthropic assistance through the promotion and assistance of arts, history, culture, education, and relief work – so what’s not to love!

Why did you enter the SBID Awards?

We entered the SBID Awards because they acknowledge excellence in design, and we think this scheme is excellent… at least that is what Metdist told us. Anomaly is not a practice of the individual, but collection of others producing work of note. To have this seen, to have this recognised is validation of what the team strive for and own on each project.

What has being an Award Finalist meant to you and your business?

Getting to tell the team that designed this that it isn’t just us that think you’re a class act, but your peers do to. That what we’re doing has reach beyond the studio, and beyond the relationships we have with our clients.

Questions answered by Nina Greenwood, Lead Designer at Anomaly.

Welltek is thrilled to represent Silen in their Clerkenwell showroom, which is in the heart of London’s design district.

Silen’s impressive range of phone booths, manufactured in Estonia are now available to buy through UK distributor Welltek. Welltek has over 20 years of experience providing market-leading phone booths to the UK’s major clients. With superior soundproofing, a silent ventilation system, and integrated technology that allows you to stay connected, these pods are among the best in the world.

The range includes space-saving phone booths, comfortable work pods and modular meeting booths to accommodate up to 14 people.

Who are Silen?

Silen are an experienced team of workspace privacy experts, actively trading in 60 countries providing workspace solutions for clients such as Airbus, Ernst & Young, Dell, and Volkswagen Group. As the first and only manufacturer to be awarded carbon neutrality across their entire range of products, it is now the global innovation leader in the industry.

Silen offers the most extensive range of phone booths and meeting pods and is now the #1 choice for the Fortune 500. Silen have been committed to providing human-centric workspaces for 25 years.

“In the world of interior design, especially in the modular office furniture sector, we have managed to establish a great reputation for the quality of our products. However, alongside the trust and recommendations we have earned, the customer still needs to see, feel and test the product for themselves and experience the efficiency of the sound barrier and ventilation. After all, your own ear is king.” – Co-founder and CEO Endrus Arge

Silen’s products will be showcased alongside other innovative, design-led, sustainable furniture solutions covering all major sectors including: hospitality, commercial, finance and healthcare.

Enjoy your own silence at Welltek: 26 Seward Street, London EC1V 3PA | Mon-Friday | 9:00am-5:30pm.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

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This week’s instalment of the Project of the Week series features a neutral and geometric office design by 2023 SBID Awards Finalist, XBD Collective.

The office space was designed to embrace a unified concept, mirroring the distinctive architectural style of the building to ensure continuity and cohesion. At its core, the office layout embodies the essence of a new genre of workspace within the workplace, aiming to create an optimal engagement within the working environment. It strikes a delicate balance between innovation and practicality, offering a dynamic commercial space that not only inspires creativity but also caters to the essential needs of a productive work setting.

What was the client’s brief? 

The purpose of the office space was to create a coworking space, not only a place for Modern Working to make their new office headquarters their home. They wanted to include individual workspaces and/or office spaces to be rented to outsiders. One-third of the office would be occupied by Modern Working while the other remaining two-thirds of the space would be for the business center rentals. Together they would be able to share common spaces.

The client’s needs involved having coworking spaces with private offices, an art gallery in public areas, and an amphitheater seating area where the company can hold small events and meetings for collaboration purposes.

Overall, the office needed to be an open and visual continuity space making use of fluid shapes and mixed with regular geometric lines. A neutral palette with the use of glass and marble was requested. The coffee bar, amphitheater, and an art gallery to buy artworks were additional unique and key elements that were required to be incorporated within the office layout and to elevate the space.

What inspired the design of the project?

The office space was designed to feature an identical concept to the building in terms of its unique design for continuity and consistency. The building’s dual aspect of design, playing with curvy and organic shapes within the atrium while making use of rigid and linear lines on the facade, was what initially inspired the office layout.

The office layout is all about the new genre of workspace within the workplace to offer maximum employment engagement and productivity within the working environment. The commercial space needed to be innovative while still being a practical place to work.

The office’s public spaces are situated in an open plan configuration while all the private offices are laid out next to the façade on the north, as well as on the east side of the space, creating a traditional office layout and allowing for better control of lighting and acoustic levels. The organic facade of the office on the west is a more fluid and dynamic space that interconnects the different areas of the office and offers a more creative and interactive environment for the office. Combining these two kinds of spaces brings flexibility within the office, allowing for different uses and types of work collaborations to happen within the office.

What was the toughest hurdle your team overcame during the project?

Situated within Zaha Hadid’s Opus Tower at Business Bay, the office occupies the building’s first floor. The unique triangular floor plan, complemented by structured and orthogonal designs on one side and fluid, curved elements on the opposite side of the façade, guided the strategic utilization of space. These cues facilitated the optimal arrangement of various areas within the office, ensuring each type of space found its best-suited location.

Due to the complexity of the internal structure, a point cloud model was required before being able to model the space in Revit accurately. This was required in order to achieve a clear understanding of the informants and constraints to produce the spaces along the organic curved façade of the building’s central void.

In the spaces that weren’t habitable due to the restrictions of the height, the design introduced a pebbled garden with plants, also known as biophilic design, along the complex curved façade to enhance the quality of the work environment.

What was your team’s highlight of the project?

It was a challenge due to the complexity of the space. It also brought interest considering the importance of the building, as it’s inside of Zaha Hadid’s Opus Tower. We can highlight the willingness of the client to explore a different style of office, moving away from our familiar perception of a working space. It is rare and gave us freedom to create something unique.

Why did you enter the SBID Awards?

SBID is a renowned international platform, and we’re very proud to be part of it. We consider it’s a great opportunity to showcase our work and see it alongside some of the best international talents. We presented several residential and commercial projects in this edition, and we couldn’t be happier with the outcome. We have been finalists in the 6 categories we participated in, and this encourage us to keep working hard.

What has being an Award Finalist meant to you and your business?

It’s an honour to see our projects selected as finalists. It’s really rewarding after dedicating so much effort to each one. This recognition brings satisfaction to our team, but also to our clients, and that’s what makes us proud. We view this experience as a chance to learn and continue to evolve, contributing in the best possible way to the field of interior design.

Questions answered by Ellen Sohoel, Founder of XBD Collective.