This week’s instalment of the Project of the Week series features a combination of modernsim and organic shapes in this show flat design by 2024 SBID Awards Finalist, Angel O’Donnell.

Angel O’Donnell’s design story is rooted in Centre Point’s brutalist precision, strong geometry and arresting silhouettes. The team designed upholstered bedroom walls with zigzag patterns and honeycomb-shaped pillars to echo the building’s iconic façade. Curated totemic sculptures of carved wood, built a room divider comprising polygonal panes of coloured glass, and sourced vintage pieces that date back to the time of Centre Point’s construction. They painted a ceiling mural that captures the fiery hues of the sunrises and sunsets that can be seen from the east and west facing windows, and assembled a gorgeous mix of materials, from honed marble to oxidised steel.

What was the client’s brief?

Our client wanted a last hurrah! A newsworthy interior that would celebrate Centre Point’s brutalist architecture, jaw-dropping views, and decade-long story of regeneration since building works began.

This would be the last in a long line of show residences, so it was essential we created a different look from previous designs – particularly the scrupulously pared back, mid-century-modern interiors by Conran + Partners, and the glossy-luxe interiors by Morpheus & Co.

By creating a whole new look and feel, we could demonstrate the versatility of these spacious and smartly planned residences.

What inspired the design of the project?

Centre Point’s brutalist architecture provided us with a bottomless well of inspiration. Everything from the building’s rippling rhythms of precast concrete to the beautiful light that pours in through the east- and west-facing windows informed our designs.

We took the spirit of modernism – its optimism and freedom of expression – and made it our own, mixing rectilinear forms with organic shapes, bright rich colours with soft pale neutrals, smooth surfaces with strong textures, and subtle patterns with bold motifs. This ebb and flow of binary styles creates a lovely rhythm as you journey from room to room, from morning till night.

We instinctively wanted colour-soaked interiors that contradict the cool white-grey exterior of the building. Each colour was carefully selected to elicit a different emotional response. The embracing warmth of terracotta in the principal bedroom. The respective palettes of soothing pink and positive green in the guest bedrooms. And the healing energy of copper in the dining area. These colours are designed to calm and balance, energise and uplift, and in turn enhance the experience of living up high with all of London laid out before you.

As for materials, we incorporated as many as we could to honour the concrete, steel, glass, limestone and wood present in the building. We chose walnut, rattan, marble, leather, bronze, ceramic, resin, oxidised steel, bamboo silk, velvet – a panoply of noble and other quality materials that look, feel and smell reassuringly luxurious. Their veins, grains, colours, textures and aromatic properties add to the rich sensory experience throughout.

What was the toughest hurdle your team overcame during the project?

It was finding a smart and subtle way to zone the 33ft-long living area without carving it up and making it feel small. In our minds, zoning was critical to reimagining the space and opening prospective buyers’ eyes to all the things you could do with it. So, we opted for low-slung furniture to keep the focus on the views over Mayfair and Hyde Park. Then we used a giant L-shape sofa to create an island of tranquillity with easy-to-reach coffee tables and spot tables, deep-seated lounge chairs, and a silky-soft rug. By resisting a traditional layout of two sofas facing each other, we enhanced the flow between the living, dining and study areas.

What was your team’s highlight of the project?

The room divider was immensely satisfying to design and build. We love to work with craftspeople whose workshops we visit to stress-test materials and prototype constructions – and this piece certainly put us through our paces.

We experimented with different frames – both free-standing and fixed – as well as a variety of shapes ranging from the regimentally geometric to the varied and polygonal. We also tested various burner boxes and fuel reservoirs for the bioethanol fireplace.

Working through multiple iterations is the only way to guarantee an excellent product, in this case, a new focal feature that will remain functional and fabulous for years to come.

Why did you enter the SBID Awards?

Angel O’Donnell won its very first gong at the SBID Awards in 2019 – and we’ve loved them ever since. The SBID is such a supportive organisation, the team is terrific to work with, always attentive, and the awards themselves are a joyful celebration of design and craftsmanship. For these reasons, we enjoy entering the awards and being a part of the SBID family.

What has being an Award Finalist meant to you and your business?

It’s a lovely thing to share with our clients. They’ve put all this trust in us to deliver a showstopping scheme – one that will help the developer to sell units – and when you can top this with an industry-recognised nod, it’s something everyone can feel proud of.

Questions answered by Ed O’Donnell, Co-Founder & Creative Director of Angel O’Donnell.

Richard Allen, sales director at Karndean Commercial said: “In an urban area with extreme pressure on rental housing like Oxford, having purpose built accommodation for students is a boon for the university and the wider community. We are proud to be involved with a project that is increasing the availability of much needed student accommodation whilst protecting the established woodland setting, retaining prize specimens and planting new trees to enhance the landscape.

“Our designs are all inspired by the wonderous beauty of nature and the precious woods and stones we source from around the world so we understand the benefits of connecting our living spaces to the healing power of the natural world and the need to minimise our impact on the environment.”

Named after Professor Sir Clive Booth, a former Vice-Chancellor of Oxford Brookes University, the new student village offers convenient contemporary accommodation with light filled study bedrooms and spacious communal kitchen and living spaces.

Jessie Turnbull, senior associate at MICA Architects, said: “The university was keen to construct high quality, low impact accommodation that would be a calm and secure place to live, offering students a living space where they can relax and bring their best selves to their studies.

“The site is positioned adjacent to Headington Hill Hall, a listed historic manor house, and positioned within the Hall’s arboretum so it was important that the new accommodation blocks would integrate into this landscape to create a woodland village. To enhance this feeling of connection with nature, each building has been named in honour of native trees.”

Self-contained apartments include between six and 11 study bedrooms, each with a compact ensuite, and a generously sized shared kitchen dining living room. Wider and shallower than frequently found for student accommodation and fitted with large windows that open for plenty of natural ventilation, the study bedrooms benefit from daylight that penetrates all the way to the back of the room, connecting the interior with its woodland surroundings.

The interior boasts a contemporary biophilic style that has been developed around the project’s key priorities of sustainability, practicality and wellbeing. Alongside a natural colour palette and furniture made from recycled materials, oak design flooring from Karndean Commercial’s Knight Tile range creates a warm and welcoming environment.

Jessie explained: “The university was very keen to use LVT throughout the accommodation as this would be easier to clean and would provide a modern vibe that appeals to both domestic and international students. Carpeted bedrooms are very much a British choice while hard floors are more usual in homes across Europe, Asia and the United States. Following consultation with a group of student ambassadors, we opted for the warm natural tones of Lime Washed Oak in the bedrooms and Rose Washed Oak with its slightly greyer hues in each living space to complement the duck egg blue kitchen units. The concrete frame construction called for a rigid core format, with its enhanced acoustic benefits and easier installation.

“The feedback we’ve had from students has been absolutely fantastic and, although it’s early days, the flooring is holding up really well.”

With sustainability a key consideration for the project, Morgan Sindall Construction’s CarboniCa tool was used to evaluate the construction’s holistic life cycle, collating embodied carbon and life cycle costing from each material’s Environmental Product Declaration (EPD). With a durable construction that ensures longevity, Karndean flooring contributes a lower overall life cycle carbon cost than other flooring options, as evidenced in its third party verified EPDs.

Karndean’s Knight Tile rigid core flooring, part of the Karndean Living collection, features a host of practical benefits including a waterproof, hygienic surface that’s easy to maintain, a durable 0.3mm wear layer and R10 slip resistance, while an integrated acoustic layer reduces impact noise transfer to rooms below by 19dB. With a click-locking mechanism, Knight Tile is easy to install over most hard subfloors and is suitable for any residential setting or light to moderate commercial use. Each floor comes with a lifetime residential or ten year commercial guarantee.

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This week’s instalment of the Project of the Week series features a timeless and elegant apartment design by 2023 SBID Awards Finalist, Angel O’Donnell.

Angel O’Donnell was tasked with interior designing an apartment inside The OWO Residences by Raffles. Once home to Britain’s military HQ under Churchill’s premiership, this neo-baroque Grade II* listed gem boasts a fine pedigree. Even so, their client was keen to eschew shouty emblems of luxury in favour of a quietly assured scheme that would appeal to a discerning, globe-trotting buyer. So the team set to work creating a warm and welcoming home – where craftsmanship, pin-sharp detailing, expert art curation and comfort work in concert with each other.

What was the client’s brief? 

It was a gem of a brief borne out of several brainstorms with The OWO’s Design Director and wider sales team. Eventually we landed on, ‘A sanctuary in the heart of London. Understated yet beautifully crafted. A home from home for citizens of the world.’ The words ‘sanctuary’ and ‘home from home’ resonated with us. There’s an intimate, sort of cosy romance to this language, which conjured images of four-poster beds, elegant glass pendants, embroidered fabrics, and large, deep-seated furniture to luxuriate in. It’s one of the freshest, most single-minded briefs we’ve ever worked on.

What inspired the design of the project?

The building’s architecture inspired many choices. It’s quite the melting pot: Scottish architects, Edwardian construction, in a baroque style belonging to 17th century Europe. So we thought it would be fun to add our own heady mix of influences – everything from an Arabesque rug to cocktail chairs upholstered in Florentine bargello fabric to a Renaissance-inspired painting by a Columbian-born artist. What better way to appeal to a global audience?

Comfort was the other big design influence. Plush-velvet sofas, Savoir Beds, classic English silhouettes – designs that are timeless and elegant while at the same time robust enough to jump on and nestle into.

What was the toughest hurdle your team overcame during the project?

It’s all too easy to get swept up in the mythology of a building, especially one as grand as The OWO. This is where Churchill commanded the British armed forces, T.E. Lawrence (of Arabia) compiled maps of foreign territories, and Ian Fleming dreamt up James Bond. A pedigree this fine could have easily muddled our thinking. But we kept our cool, exercised restraint, and wheedled out anything that evoked the building’s past too thirstily. This involved a lot of editing. Patterns, colourways, fabric choices, artwork, lighting, furniture, even bead mouldings for the walls – it was all scrutinised. The more we cut, tweaked, polished and developed, the more effortlessly designed and curated everything appeared. Sometimes, the things that can trip you up give you that extra drive and focus.

What was your team’s highlight of the project?

Getting to work with so many amazing talents was the most creatively stimulating and happy-making highlight of all. Dairo Vargas, the dizzyingly gifted artist whose brilliant colours and bravura brushwork created one of our all-time favourite paintings in the living room. Georgia Stoneman, our trusted art curator and friend, who spent months helping us to compile a serious collection of works spanning multiple decades and medias. Dan Green, Fabrili and CM Upholstery who executed our furniture and joinery designs to perfection. Then, of course, all the Great British brands like Savoir Beds, Porta Romana, George Smith and Tom Faulkner, whose creations elevated our schemes to new heights.

Why did you enter the SBID Awards?

We’ve entered the SBID awards because we’re proud to be SBID accredited, happy to number among its global community, and supportive of its tireless quest to protect, nurture and champion talent without bias.

What has being an Award Finalist meant to you and your business?

Being a finalist means the world to us because it involves so many people. Clients, suppliers, craftspeople, tradespeople, artists, gallerists, plant specialists, storage and installation experts – everyone who got us over the finish line owns a slice of this achievement. And from a PR perspective, it’s always fun to have awards news to talk about in social media and pitch presentations. It gives you licence to show off in a kind way. It’s the cherry on a very well-decorated cake.

Questions answered by Ed O’Donnell, Co-Founder & Creative Director at Angel O’Donnell.

The Bolshakova Interiors team drew inspiration from the boundless azure sea and the soothing touch of sunlight to craft their design concept for an opulent three-bedroom apartment nestled in a prestigious spot along Limassol’s seafront promenade in Cyprus. This exceptional dwelling is located within ‘The One,’ Europe’s tallest seafront tower. The tower, a stunning architectural achievement, was envisioned by the esteemed architect Hakim Khennouchi of WKK Architects and brought to life in 2021 by the renowned real estate developer Pafilia.

With its underlying effortless, minimalist-chic approach, the design style of the apartment can be described as modern Mediterranean, characterised by the dominance of beige shades — pearl, creamy, cotton, and seashell. “This concept originates in the aesthetics of Cyprus’s distinct culture and design traditions, as well as the island’s natural beauty, featuring rocky cliffs, tree-covered mountains, and pebble beaches,” shares her inspiration Nataly Bolshakova.

The primary obstacle the design team encountered during this project revolved around reconfiguring the space’s layout. Nataly Bolshakova proposed the creation of a distinct laundry room and wardrobe to address this challenge. Furthermore, Bolshakova’s studio enlarged the kitchen area by rearranging the layout and relocating a kitchen island nearer to the expansive terrace. Consequently, the apartment now boasts a thoughtfully organised space that effortlessly blends functionality with aesthetics.

The 127 square metre apartment encompasses a master bedroom, a son’s room, a guest room, an open-plan kitchen and living area, and a generous terrace. Within the living space, there’s an ample dining area, an open-concept kitchen, and a cosy social zone furnished with a plush milky-hued sofa and a book collection. The use of marble and glossy surfaces throughout echoes the serene environment of Limassol.

The kitchen showcases a sleek minimalist aesthetic, characterised by pristine white surfaces and generous hidden storage solutions. Overcoming an extra hurdle, the studio took on the task of revamping certain furniture pieces, as the apartment was initially furnished with conventional items. Bolshakova Interiors chose to upgrade these with bespoke furniture pieces, following a specific colour scheme to enhance the overall design cohesion.

The stylistic direction, colour palette, and material selection for this interior were driven by the desire to streamline the spatial layout. In the master bedroom, we incorporated textile panels in a calming caramel brown hue and installed warm walnut parquet flooring to introduce a sense of softness and intimacy. These panels were intricately tailored and crafted by hand in Italy, providing not just a decorative touch but also practicality, as they can be conveniently replaced or cleaned when needed.

In the guest bedroom, designers upheld the consistent colour scheme and material selection. Here, an exquisite dressing table from Poliform harmonises with floral patterns adorning the Glamora wallpaper, enhancing the room’s refined and understated elegance.

For the children’s bedroom, the design studio opted for a dynamic design strategy: rich dark wood furniture juxtaposed with white bookshelves set against beige fabric wall panels, accentuated by burgundy armchairs.

Both the master and guest bathrooms are adorned with luxurious marble tiles, showcasing impeccable restroom design elements in sandy and dark chocolate colour palettes.

A standout feature of the interior design is an elegant bespoke wall lamp crafted by the renowned French design brand Art et Floritude. Its organic leaf-inspired design exudes a warm and inviting ambiance in the entrance hall.

A beloved highlight of the apartment is undoubtedly its expansive terrace boasting uninterrupted views of the sea. Adorned with sophisticated outdoor seating from Kettal and a snug hanging armchair by Dedon, this space offers the ideal setting to admire the picturesque horizon in serene comfort.

Location: Limassol, Cyprus
Area: 127 sq m
Design Team: Nataly Bolshakova, Iryna Kalinyna, Anna Denisenko, Alyona Grigorenko
Design Brands featured: Poliform, Flos, Rimadesio, Arclinia Dedar, etc.

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The client envisioned various future uses for the apartment, be it for potential sale or lease. With this in mind, the team crafted a versatile and timeless interior design. They curated a selection of art pieces meticulously, aiming to infuse the space with both visual charm and individuality, ensuring its appeal in the real estate market.

Balancing an attractive design with the need for comfort in a diverse living environment presented a significant challenge. Designing a rental apartment project to suit various tenants’ needs demands careful attention to detail and foresight for future adaptability.

The core idea behind this design approach was to combine the simplicity of minimalism with the allure of vibrant elements seamlessly. The aim was to strike a delicate balance where clean lines, spaciousness, and neutral colours peacefully complemented bold and captivating decorative features.

The lively and understated interior features eye-catching Mad burgundy chairs and highlights a Poliform carpet with a deep blue gradient. Meghan floor lamps, designed by Nataly Bolshakova and strategically placed near the chest of drawers, create mesmerising patterns of light. Chic Poliform sofas are complemented by decorative pillows from Hermes, while indoor sculptures by Nazar Bilyk add to the ambiance, enhancing the overall atmosphere.

The Poliform kitchen features beige and glossy surfaces, complemented by grey Sitland bar stools. Above the Poliform dining table hangs a pendant lamp with a sleek design from Artemide. Adding to the interior’s charm is an impressive painting by Anatoly Krivolap.

The luxurious style of the Delavega light bed is elevated by the Contardi curved lamps. A Lora Piano terracotta blanket adds a striking accent beside the Poliform Sara mirror, while the soft carpet’s edging from Lora Piano brings cohesion to the space. The bedroom’s symmetry and volume are accentuated by a mirrored chest of drawers with distinct features and dark Poliform sideboards.

The bathroom presents a striking contrast with its black and white colour scheme, featuring distinctive marble-textured tiles sourced from Atlas Concorde. Modern lamps from SLV and fixtures from Paffoni further enhance the space.

For this space, Bolshakova Interiors has incorporated Poliform furniture in dark wood and leather. Poliform armchairs, upholstered in Lora Piano fabric, are positioned near the window. The Meghan table lamp, designed by Nataly Bolshakova, provides subtle lighting for the desk area. The office is designed with a minimalist ethos, removing unnecessary distractions to cultivate a focused environment for work and reading.

Location: Kyiv, Ukraine
Total Area: 285.5 sq.m
Team: Nataly Bolshakova, Anna Denisenko, Alyona Grigorenko, Julia Artyukh, Marina Senko

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

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This week’s instalment of the Project of the Week series features a modern and neutral toned apartment design by 2023 SBID Awards Finalist, A.RK Interior Design.

A.RK Interior Design was chosen to design the latest show apartment at the Wuhan TianDi YunTing, China for the Shanghai based Developer Shui On. The 4 bedroom apartment Is located on the 26 Floor of this high rise residential apartment offering panoramic views of the Yangtze River. The apartment features bespoke furniture throughout paired with contemporary artworks. It was a conscientious effort to design a space that exemplifies the living lifestyle of a modern family and to breakthrough the traditional sense of display. Intentional removing the sofa from the living room enhances its usage of space to its full capacity.

What was the client’s brief? 

To create a home requires an emotional connection and sense of belonging, and not tied down by physical things. To create a space that’s flexible, open planned space with more opportunities to leave their bedrooms and put down their devices, so as to communicate and interact with each other; enhancing the use of space to its fullness in a more pragmatic way and not in the traditional sense of display.

What inspired the design of the project?

To bring inspiration and motivation to all families especially parents, that a space can actively become the families’ core for love, education and ultimately growth.

What was the toughest hurdle your team overcame during the project?

We want to break away from the tradition of having a sofa in the living room; integrating the communal spaces in to a large room where members of the family can interact and be social. We envision these spaces to be part of bringing the family closer and not a space for entertaining.

What was your team’s highlight of the project?

We made the largest space in our home, relinquish to the most important people in the home which are the family members, not outside guests. Our living room did away with bulky sofas, coffee tables and TVs. For this we have provided an elevated platform where they are have more freedom.

The big dining table in the house that is never empty, the family would gather around that dining table together, eating, working, reading, and studying. It becomes a vital space for family bonding.

Reading has its many benefits and we specifically design this space so that the reader has many locations to read like on the platform next the full height windows overlooking the Yangtze river, on the bean bag or snuggle in a cosy chair in front of the fire. We hope to create this Library of books to open up the world for the children to explore.

Why did you enter the SBID Awards?

SBID awards is a prestigious international platform where peers from the industry are evaluated by leading experts. SBID is also an internationally recognisable and revered leading accreditation body.

What has being an Award Finalist meant to you and your business?

We are stoked to be part of the Award Finalist and to be on the same platform as the world’s industry leaders is an honor. It further endorses our effort to be part of this elite group and to be recognised for our design excellence. It is an addition to our accolades of awards and has open many doors for further opportunities and is a great tool to provide confidence to our potential clients.

Questions answered by Agatha Teng, Founder and Creative Director of A.RK Interior Design.

In this week’s interview with 2022 SBID Awards winners of the CGI & Visualisation category, II BY IV DESIGN, Dan Menchions talks about working on sustainability-focused projects, integrating sustainable initiatives into the design, as well as making wellness the main priority of the space.

In a world threatened by the climate crisis, The Residences at Central Park offers a better future. Nestled between Toronto’s protected ravine and one of the city’s hip urban areas, it is a vibrant nexus—focused on wellness and sustainability.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Central Park is an ambitious 12-acre master-planned neighbourhood in Toronto that promises a connected, healthier future. Focused on wellness and sustainability, it connects the urban and natural worlds, raising the bar for design excellence. Green initiatives are integrated throughout the complex. We worked collaboratively with the entire project team to align the interior design with the development’s vision: refining the contemporary lifestyle, using natural materials and framing views of the ravines, extending the harmony of the natural world inside. This strategy is also implemented in the design of the permanent Presentation Pavilion, where a composition of natural materials and future-forward immersive experiences emulate the proposed lifestyle for the prospective inhabitants of Central Park.  

Designed holistically, the Presentation Pavilion for Central Park is built as a permanent space with the potential to transform into a multi-purpose cultural hub for the community. Wrapped in a soaring 4-storey window façade, this architectural glass box is positioned on the site as a billboard to sell the development and its breathtaking views. With an orchestrated, powerful retail experience, we weaved culture and lifestyle stories, thoughtful moments of theatre, and a series of vignettes, creating the forthcoming environment at Central Park for the prospective residents while they visually merchandise the selection of future-forward finishes, furniture, and products. 

What was your biggest takeaway or highlight from completing this project?

Witnessing the positive reaction of those who visit the site—and the pavilion—has been a joy for us since completing the project. We are pleased to see the formation of a community that cares about wellness and sustainability; and have come to appreciate how significant the integration of nature and natural elements (including natural light) plays a part in creating a healthy, future-forward residence. It is also encouraging to gain insights about how much the prospective residents of Central Park delight in someday living where they have ease of access to the nearby ravines, urban living, public transit, and robust indoor/outdoor amenities. We aim to incorporate these insights into our future projects, designing healthy, wellness-focused, and connected residences for our clients.

What has winning an SBID Award meant for you and your business?

Since its inception in 2009, SBID has been instrumental in propelling the interior design industry forward. As a global platform—attracting entries from across the world—it is truly an honour to win an SBID award. It is a sign of industry recognition for our project to get evaluated by leading experts for technical content and aesthetic creativity. Together with our clients, team, and collaborators, we get the boost of encouragement to continue designing beautiful spaces that connect and elevate people. We also love that the design-conscious public has a say in voting for the most inspiring projects.

What is the most important thing to keep in mind when working on sustainability-focused projects?

When designing a sustainability-focused project, the design principles of functionality, accessibility, and aesthetics revolve around environmental considerations, so in a way, the project is both eco-centric and human-centric, which includes humans too. The longevity and durability of the finishes are key, especially for high-traffic areas. It is also important to work collaboratively with the entire project team to accommodate for systematic Green features that are new in residential developments. For Central Park, we reached further and emphasized the significance of integrating the natural world into everyday life by incorporating natural materials and views of the surrounding ravine areas and using energy-efficient technology throughout the interiors.   

The development’s vision is to refine the contemporary lifestyle. What does contemporary lifestyle mean to you? How do you think our lifestyles and, therefore, design choices are changing?

To mitigate the climate crisis, we need to refine our current lifestyle as a global society. We need to become more efficient and eco-conscious, mainly for our benefit.

The Residences at Central Park connect the urban back to nature. The design and development team has integrated Green initiatives like reflective solar panels, Green roofs, and a thermal building envelope. A next-generation mechanical system incorporates advanced airflow and filtration for the entire building. Moreover, there is direct access to public transit, on-site bicycle/car-share service, and EV (electric vehicle) charging stations for every spot in residential and visitor parking spaces, promoting safe, clean travel—free of emissions. As interior designers of Central Park, we decided to reimagine how we can live better: what aspects of today’s lifestyle could be refined for a better tomorrow. We then reflected our insights onto every part of the project and delivered a robust amenity program, spa-inspired bathrooms, energy-saving light fixtures, and everything in between. The Presentation Gallery for this development even confirms the team’s commitment to sustainability, designing it as a permanent building. Envisioned as a multi-purpose cultural hub in the future, it is suited up in a composition of natural, enduring, high-quality materials and high-tech features for posterity.

What makes an interior design project wellness-focused? How do you account for it as a designer?

By its nature, interior design projects are always focused on wellness as we create spaces that improve the human experience through ergonomics, style, light, layout, and finish palettes/materiality. When designing vertical living projects, like The Residences of Central Park, we include activities for wellness in the amenity program. Moreover, a timeless composition of elements, materials, and furnishings in warm tones and delightful textures creates a harmonious feel for wellness. The attention to detail and quality cohesively begins at the entrance, continuing to the resort-like amenities and offering an urban oasis in each suite, including low water—and electrical—systems/appliances. There are also available provisions for cutting-edge automation, enabling residents to control temperature, lighting, or other items from their smartphones that make life more efficient and convenient, contributing to the quality of the residents’ everyday experience and, therefore, their wellness.

Questions answered by Dan Menchions, Partner, II BY IV DESIGN.

In this week’s interview with 2022 SBID Awards winners of the Show Flats & Developments category, David Collins Studio, Iain Watson reflects on the experience of working with a multitude of makers and artists, and discusses designing colourful yet refined spaces.

David Collins Studio was chosen to design and deliver the latest 3-bedroom show apartment at The Bryanston, Hyde Park for London-based developers Almacantar.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Our Show Apartment at The Bryanston was designed to showcase a thoughtfully curated selection of artists, designers, makers and craftspeople who exemplify British luxury. The design was developed in collaboration with Nick Vinson of Wallpaper* Magazine. In addition to the artists whose work is featured within the apartment, the space also showcases a selection of iconic David Collins Studio furniture from our 38 years of hospitality projects, reimagined for a residential setting.

What was your biggest takeaway or highlight from completing this project?

Collaborating with Nick Vinson from Wallpaper* meant that The Studio was able to mine both its own, and Nick’s, ‘little black book’, as well as bringing a third party’s point of view when editing the selection of Studio furniture pieces that would feature in the apartment. Working with the multitude of makers and manufacturers to realise the furniture in new and custom decorative finishes brought another dimension to the design and process.

Working with Nick was very inspiring as he brought his editor’s eye and an editorial process to the process. The final apartment showcases pieces from a lot of different provenances which brings a sense of authenticity to the space.

What has winning an SBID Award meant for you and your business?

Winning an SBID award was incredibly important to David Collins Studio. It is amazing for our work to be honoured in this way and speaks volumes about the hard work of the design teams and The Studio. Given that we re-worked furniture pieces from a variety of projects, the award feels extra-special! Awards of this nature are so important to our BD process and customer journey.

The apartment has lots of different design elements, colour stories and, it seems, styles. What was the inspiration behind that and how did you accomplish creating a cohesive design featuring different elements?

Almacantar’s brief to us was to be bold. Part of the reason for our selection for this project was our bold yet refined use of colour. From the outset, we wanted the apartment to comprise a series of strong colour stories. This was essential to provide a point of difference not only between the rooms themselves, but from a lot of the other show apartments on the market. The colours all had to work within the context of the setting and inherited base build, as well as a whole, so that the journey from one room to another felt considered, connected and balanced.

How did you find the process of working with different artists for commissioned artworks? Was each piece created for a specific room based on its design, or did you collaborate throughout the entire design process?

All the makers we worked with were incredibly professional and went the extra mile for us. Everyone had to work to a fixed program and some makers had more experience working to a commercial brief than others, but the project team was able to use its combined experience to manage the delivery process and allow the artists the creative headspace that they needed. David Collins Studio collaborates with makers and artists on all of its projects and so the process felt very natural to us. 

The apartment’s design was created holistically, in that we wanted to feature as many of the makers from our shortlist as possible. We worked very hard to ensure that each room showcased makers and key stories that could be used within the client’s marketing. For example, the Lucy Smith pink jesmonite hallway relief featuring an iris motif that connects the apartment with Hyde Park and the dining table made from a plane tree felled in London by Sebastian Cox. The Simon Hasan study furniture inspired by Charlotte Perriand furniture seen through Simon’s own understanding of the decorative arts and industrial design, and the commissioned Bethan Laura Wood timber bedframe that was based upon an original piece designed with Phillipe Malouin that Nick had seen exhibited in Dresden in 2016, re-scaled for The Bryanston.

How do you transform nature and the surrounding environment into an interior design?

Creating a definitive sense of place was key to our design concept –  a connection with neighbouring Hyde Park and the immediate areas of Marble Arch, Marylebone and Mayfair. Lucy Smith and Sebastian Cox worked very literally in this way, meanwhile Geraldine Larkin created an abstract topographic map of Hyde Park, realised in three colourways of Loro Piana cashmere. Many of the accessories and art pieces were selected for their connection to the park, such as Shannon Clegg’s press floral vases. There are more subliminal design elements within the apartment that have been chosen to bring a connection to the locale, including a series of custom arch mirrors by Alguacil & Perkoff which echo Marble Arch itself, and commissions from local stores such as Perfumer H in Marylebone. We also carefully selected a series of books and auction catalogues that resonated with the location, as well as the design references within the apartment. Finally, we managed to source an original Henry Moore lithograph for the apartment, which connects to his park sculpture, The Arch, and cements the concept behind the space!

Questions answered by Iain Watson, CEO and Founder, David Collins Studio.

This week’s instalment of the Project of the Week series features a modern residential development design by 2022 SBID Awards Finalist, ENJOYDESIGN.

What was the client’s brief? 

The theme of client’s brief: The Garden on the Loess.

The city of Yinchuan, where the project is located, is situated in the Ningxia Plain, an arid region in western China. Unlike other arid regions, there are two major wetland parks that are ecological features of the area. In order to protect the precious wetland resources and this important transit point for migrating birds, the city of Yinchuan is also aiming to become a ‘city of lakes’. In addition, the survey shows that there are few commercial forms around the project site, the quality of life is not high and the convenience of living is improving.

Therefore, ENJOYDESIGN, as the interior design for this case, wanted to create a “multi-life experience hall” for the residents with the theme of “The Garden on the Loess”, integrating plants and greenery, floral art, cultural creation, trendy games, reading, beauty, tea and other diversified businesses, and creating a “multi-life experience hall” with both aesthetics and fireworks in the form of a community. A third space outside of work. At the same time, it also serves to promote the ecological characteristics of the area.

What inspired the design of the project?

What inspired the design of this project is the local efforts made over the years to protect the wetland resources. Using flowers and greenery as a medium, nature is allowed to surge like flowing water, irrigating not only the desert sands, but also the hearts of the people of Yinchuan.

We have tried to tell the other side of the city in a lifelike way, leading people to experience the unique face of Yinchuan, not only the yellow earth and barren smoke and ravines, but also the prosperity and vibrancy of The Garden on the Loess.

We hope that community residents will feel the romance of the sun surrounded by flowers and embark on a journey to nature to find the oasis their hearts desire.

What was the toughest hurdle your team overcame during the project?

During the project, the toughest hurdles to overcome were the construction of the design facade and the local people’s acceptance of the novel style.

Large curved wood finish walls require a high degree of workmanship and stability in terms of grain and colour. Yinchuan is one of the more remote cities in western China, where finding workers who are skilled in construction and high quality building materials is more difficult than in the metropolis.

Secondly, the style of the scheme is relatively new to the occupants of the area and has undergone a process of trying to tell the concept from scheme to landing and then to pre-acceptance by the general public.

What was your team’s highlight of the project?

I think it is: we strive to turn dream gardens into real, functional spaces that are both beautiful and functional, making them a part of the lives of the community.

Why did you enter this project into the SBID Awards?

First, of course, the professionalism. SBID Awards is a highly professional, fair and influential award in the design industry. Every year, we choose excellent works to compete. For example, last year, we won the only award for interior design in the Asia Pacific region, which was affirmed and recognized by the jury from distant overseas and design countries. The designers were greatly excited and encouraged after winning the award because it proved the design ability of the studio.

Questions answered by Jie Guo, Founder & Creative Director, ENJOYDESIGN.

This week’s instalment of the Project of the Week series features an elegant and sophisticated residential design by 2022 SBID Awards Finalist, CHIL Interior Design.

The romance of discovery is found in all aspects of life if you are willing to explore. Travel, culture, design, music, fashion all inspire life, and none are more influential than seeing these aspects through the refined cultural lens of a city like Paris. Through the distinct European architecture, fragrant French gardens, and the overall appreciation of the finest details in living, CHIL Interior Design created a design for Chloe Kerrisdale that celebrates these unique Parisian and European details within.

With soft palettes and sophistication, the result is unforgettable spaces that express the effortless elegance, grace, and joie de vivre of Paris itself. A balance between indulgence and restraint, between measure and proportion and between structure and abstraction, the Chloe Kerrisdale display suite is an exquisite jewel standing out within the community.

What was the client’s brief? 

The client wanted us to create an aspirational living space that is inspired by the classical architecture and Parisian lifestyle. It was also important to the client that the show suite is a direct replica of a purchasable unit to showcase luxurious living through high end materials, furniture, artwork that appeals to the a well-travelled and affluent demographic.

What inspired the design of the project?

We began with the classical architecture of the building that is reminiscent of established European cities like Paris. We wanted to pay homage to the well-recognized details of these buildings while still providing a clean and modern perspective as a balance. The design for Chloe Kerrisdale celebrates the Parisian lifestyle in the heart of Vancouver.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle for this project is fitting a unit floorplan into a pre-existing space and avoiding as many columns in the display unit as possible. While we were successful in avoiding some, unavoidable columns were used to the design’s advantage with added floral arrangement displays.

What was your team’s highlight of the project?

Every material, furniture, accessory and lighting selection reflects to the luxurious Parisian living concept with a modern take on traditional details. The locally commissioned hand carved 3D rose artwork that adorns the reception area tells the Parisian story right when the buyer walks in, transporting them into the state of mind immediately. Attention to various levels of lighting to create a soft ambient atmosphere in the space. We are also proud of the way we overcame unavoidable columns by beautifying them with floral arrangements.

Why did you enter this project into the SBID Awards?

The SBID Awards is one of the most prestigious international interior design awards. It is always an honour to be recognized by such a high calibre of industry expert panel and we look forward to submitting our entries every year. This year is also our first time submitting to the Show Flats & Development category and we are immensely grateful to be shortlisted as a finalist!

Questions answered by Danielle Clarke & Adèle Rankin, Design Director & Principal & Global Design Lead, CHIL Interior Design.